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Archive of posts published in the category: Alternative

  1. Kazizilkree
    Dec 03,  · Telemann Georg Philipp - instrumental music wojtas; videos; 65, views; e1 / Concerto for recorder, flute, strings & b.c. in E minor / Pro Musica by John Portman. Georg Philipp Telemann - Concierto para flauta dulce en fa mayor - Arte dei Suonatori G.F. Telemann: "Wassermusik" Ouverture in C major TWV C3 [Zefiro-A.
  2. Samugor
    Georg Philipp Telemann, Chœur des jeunes de Lausanne, Kammerorchester Pro Arte München, Kurt Redel, Agnes Giebel, Ira Malaniuk, Theo Altmeyer, Horst Günter & Heinz Rehfuss 1 Leclair: Sonates à deux violons sans basse op. 3 / Telemann: Sonate canonique n° 1 en sol majeur pour deux violons / Ysaÿe: Première Sonate à deux violons en ut majeur.
  3. Zulumuro
    Georg Philipp Telemann, Simon Standage, Collegium Musicum 90, Jane Coe, Rachel Brown, Anthony Robson, Cherry Forbes, Richard Earle, Catherine Weiss, Micaela Comberti - Telemann: Triple Concertos: in Bb for 3 Oboes & 3 Violins; in A for Flute, Violin & Cello; in F for 3 Violins; in E for Flute, Oboe d'Amoure & Viola d'Amoure - docnitonisrifomixoudoubcontmatma.coinfo Music/5(11).
  4. Mezitaxe
    Georg Philipp Telemann: Concertos for Varied Instruments. Stefano Bagliano / Collegium Pro Musica. Dynamic. Telemann: Pro arte antique praha. Classics Arta. .
  5. Mikara
    Jan 12,  · GEORG PHILIPP TELEMANN [] Concerto for recorder, flute, strings and basso continuo in E minor (TWV e1) date: c. I. Largo - II.
  6. Mezilabar
    Georg Philipp Telemann (14th March –25th June ) was a German Baroque composer, born in Magdeburg. Self-taught in music, he studied law at the University of Leipzig. The most prolific composer of his era, he was a contemporary of Johann Sebastian Bach and a life-long friend of Georg Friedrich Händel.
  7. Kagazilkree
    The Collegium Pro Musica is an Italian ensemble, founded in by the flautist Stefano Bagliano specialized in XVII and XVIII century music repertoire (especially italian), performed in accordance with the style of that age and using true copies of original instruments.
  8. Disida
    Telemann’s family was not particularly musical; his great-grandfather had served as Cantor at Halberstadt, but no one else in his direct family had been involved in music. Telemann’s father died in , leaving his mother to raise and oversee the education of the children. They were an upper-middle-class family, and many worked in the church.

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